Blue Bell Dell, Kew Gardens

It’s now, in the cusp between April and May, that the Bluebells are at their finest.  We have some stragglers in our messy garden (see my my blog, an (Un)English garden), but the place to see them, in West London at least, is the Royal Botanical Gardens at Kew. There is a lovely area to the west of the gardens which is called “Bluebell Dell” and it’s just very blue!  Kew do a nice May Day celebration, with Morris dancers – a fine English tradition – and lots of stalls selling natural wares. And just down from them is the Dell. Always worth a stroll. It is such a beautiful demonstration of the seasons. Serene, calming.  You can lose yourself in the simple beauty.

But this year it has been raining and raining and raining.  The great irony is that most of England is officially in DROUGHT at the moment, according to the water companies. There are big adverts everywhere – as the rain buckets down. OK, two weeks of deluge doesn’t change things completely, but it’s fair to say that it has raised the scepticism levels. Britain, small island on the east side of the Atlantic, buffeted by the South West trade winds from the sea, habitually carrying a lot of rain. DROUGHT.

Oh well, it means I’m going to cheat here and show you a few photos from May 2011, when the weather was beautiful. And the Bluebells blazed their blue-violet hue. Just wonderful. No close ups as my camera refused to focus on the small things.  But I hope these shots give you the sense of simple beauty.

Note

My blog, “An (Un)English Garden” can be found in the right hand toolbar under London and Photos.

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The Staves at the Tabernacle, Notting Hill

Yesterday I and a couple of friends went to see The Staves at the Tabernacle in Notting Hill, West London. The Staves are three sisters, Emily, Jessica and Camilla Staveley-Cooper, hence the band name) from Watford.  They sing what I guess you’d call modern folk songs, with simple backing and the most beautiful harmonies. They are in their twenties, I think, and I imagine they’ve been singing together all their lives.  You can sense that in the way that their voices interact so perfectly.

The Staves first came to my attention in March this year, as the result of a retweet by Whispering Bob Harris, doyen of rock radio, now residing on BBC Radio 2, playing the music he loves. He retweeted the video of the band’s single, “Mexico”. I really liked its poise, its simplicity, the vocals and the insistent but low key guitar rhythm. I checked out their music on iTunes, and found two wonderful EPs:  “Live at Cecil Sharp House” and “Mexico”.  I found that I couldn’t stop listening to them.  Such beautiful, understated music and those harmonies.  The song I liked best of all was a cover of the old folk song, “Silver Dagger” where the harmonies were at their very best. Just entrancing.

Since then there has been another EP, “The Motherlode”. I only downloaded it yesterday, when I thought, blimey, I haven’t heard it yet and the concert’s tonight! I was immediately taken with the third track, “Wisely and Slow”, again with those lovely harmonies.  I think it’s my new favourite song, especially after last night!

There’s an album due in July, I think.  For now, there are the three EPs, and you can hear them all on Soundcloud.  Better still, get on iTunes, Soundcloud, or wherever, and buy them!

The Tabernacle is a lovely venue.  I can’t believe I’d never been there before, me a West Londoner. It’s in the heart of Notting Hill, which is an area of London that combines extreme poshness,  artiness,  musicality (with the annual carnival the expression of Caribbean roots and culture in London) and deprivation at its edges. The Tabernacle is a grade 2 listed building which has had a big makeover in recent years. It has been a community arts centre for many years, and I have to say that I was really impressed by the venue last night.  The bar and restaurant was a lovely space, the food looked great, the beer was fine, the concert/theatre hall was spacious and airy and there was a really nice space outside to sit and chat. It’s nestled between some residential blocks and there are some strict rules: everyone has to clear out of the external space by 9pm and concerts have to end by 10pm. So it’s never going to be a major venue. But it was a real find for me last night.

The support was provided by Christof, an Irish folk singer.  He was good. Played a lovely acoustic guitar and had an effortless, tender voice.  He dressed like a seventies Bob Dylan and had a good line in humour, with a funny story about sausage sandwiches on the road, amongst other things. (Yes, really!) For his last song he got out the harmonica and sang a beautiful song which reminded me of “I’m Gonna Be Lonesome When You Go”, one of Bob’s great songs from “Blood On The Tracks”. Mostly, his sound was closer to Nick Drake or John Martyn than Dylan, but the fact that these are the artists I’m comparing him with is proof, I hope, that I really liked what he was doing. I’ll be checking out his recordings.

And then the Staves. Aaaah.  I just love their sound at the moment. It’s not breaking the mould, it’s just very good music. It’s a mix of folk with a modern pop sensibility. And those voices!  I’d had the impression that Jessica did most of the solo singing, as well as playing the guitar, but live they shared the lead vocals and the playing.  They also had a bass and drum backing, where it was needed. They played pretty much all the songs they’ve recorded so far and a few new ones. “Silver Dagger” was missing, which I regretted, but I can understand that with only an hour to play, they needed to focus on their own songs.  Highlights for me were beautiful renditions of “Icarus” and “Mexico”, and maybe best of all, an acappella version of  that new song, “Wisely and Slow”.  For that the three of them crowded round the one microphone and just sang the most heavenly harmonies.

The gig was sold out and the vibe was good.  The band were in good and quite robust humour.  As their London gig (Watford being just North of London for those of you not familiar with the geography) it felt like A Sort of Homecoming (thanks U2!).  And I felt good to be there. In the book I’m writing about my musical journey, I have a chapter about what I call celtic soul. The Staves may be from Watford, but I feel they have that soul. There were times when I was reminded of some of the Irish singers I remember from a wonderful compilation album called “A Woman’s Heart”, released in 1992.  Featuring the likes of Mary Black, Eleanor McEvoy, Dolores Keane and Sharon Shannon.

It feels like momentum is building for the Staves. They’ve already had a successful tour of America before this one, and they are soon going off to support the brilliant Bon Iver in the US.  Their sound is rooted in traditional music, but it does read across to the melodic, acoustic music that is popular today.  (Ed Sheeran, Mumford and Sons, Ellie Goulding for example. ) I’m incredibly wary of making any generalisations in this field given my age, but I’m observing my own kids and their friends, as well as following new music myself.  And at the concert last night it was telling that there was a real mix of the generations.  Plenty of oldies like me, but also a lot of people in their twenties, relating to The Staves as contemporaries.

But hey, let’s cut to the chase.  It’s just wonderful music – age is irrelevant – and I can’t wait to hear The Staves’ first full album. Last night was just a great musical experience.  A celebration.  I felt privileged to be there, and it felt like the start of something…

So here’s a link to The Staves website and, just for fun, a couple of rather duff photos I took on the iPhone last night.  These are the best ones!  It was a bit dark and there were lots of heads in front. One is of the band singing that song, “Wisely and Slowly”; the other is one of the encores with Christof.

I was there!

Notes

Photos copied from Google Images. The first photo is by Rebecca Miller at rebeccatakespictures.blogspot.com. Second, not sure, but from a publicity poster.

I previously wrote about the Staves in my blog from March called Two Gigs and Three Discoveries. You can find it in the Music – concerts, lists, reflections section in the right hand tool bar.

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Sportsthoughts (21) – Evolution or Revolution?

Chelsea beat QPR 6-1 today, after their amazing 10 man triumph over Barcelona – sacred Barcelona – in the Champions league semi final last Tuesday. Torres scored three, after his breakthrough against Barca. All is well in the Chelsea camp.  The players are lobbying through the media for Roberto di Matteo’s temporary managership to be made permanent. Such a far cry from the agony and strife that characterised the final weeks of Andre Villas Boas’s tenure (see my Sportsthoughts 15).

So what changed? I was taken by a quote from Branislav Ivanovic, which I read in today’s Observer. With respect for the fact that English is not his first language.

His [di Matteo’s] tactics are more natural… he organised our team to get the best from the players. He does not try to put a strategy on the players, he does the opposite: his approach is that if the players have these qualities, then we must do everything to show these qualities.

Now this could be used as evidence that player power has triumphed at Chelsea.  Or has it?  Is it actually something much more basic – just getting the best out of what is before you?

AVB inherited a squad that was talented, but beginning to age.  There are good youngsters coming through the system, but they seem to be not quite ready.  A few players were brought in, but not enough, of sufficient quality, to shape the team and its way of playing. So AVB wanted Chelsea to be the new Barcelona, pressing, defending high up the pitch, passing short, patient, incisive. But the players weren’t ready, not enough of them. He tried to impose a revolution, clearly failed in some basic man management, and paid the price. The existing players couldn’t cope with his strategy, or tactics, or style.  There are strong, well-established characters there, and they revolted back, or just sulked.  It was all going horribly wrong.

Di Matteo was already on the management team. He has Chelsea history: a fine, dynamic midfield player whose career was cut short by injury.  He had started well in management, first at Milton Keynes Dons, then West Brom, whom he took into the Premier League, playing attractive football. He got the sack after a run of defeats about half way through last season.  Harsh, but effective, because Roy Hodgson – himself sacked by Liverpool – came in and kept them in the PL.

It was a surprising appointment to the top job at Chelsea, big, brutal Chelsea. People assumed the likes of Lampard and Terry must be pulling the strings behind the scenes. Maybe they are; but whatever is happening, it is working, big time.  Chelsea have lost one game since di Matteo took over and they are now in the FA Cup and Champions League finals.  They have rediscovered their essence, their power, their solidity in defence, their midfield elan, their speed on the break.  Drogba is marauding again up front (when he isn’t writhing on the ground), Torres is revitalised, Frankie L is bossing the midfield.

So what has di Matteo done? Judging by the Ivanovic quote, he has simply listened to the players, treated them as individuals, designed systems that play to their strengths. He has used the materials at his disposal to shape the team, rather than decide the shape and try to fit the players into it.  Organic, evolutionary, effective. If he gets the job permanently, he will no doubt seek to bring in younger players to realise his vision.  But for now, that vision, whatever it might be, is married to pragmatism.  Getting the best out of the people you have.

I can relate to this.  It’s how I approach work, as a fairly senior manager.  When I move to a new post, with a team already in place, it’s pretty clear right away what is working well and what needs improving.  It’s rarely a complete disaster, but there is often scope to do better. But if you go in and say, “this is how I do things so you had better do so too”, you will get nowhere. People will resist, maybe pay lip service, or in some cases overreact in trying to meet your wishes. No, my approach is to go in, get to know the people, find out what makes them tick, and slowly but surely, when you have their confidence and trust, start to suggest how things could be different. Share your vision and values, but listen to theirs. Make it a joint enterprise.  That way, when people look back, and think about how much has changed, they can say:  we did it ourselves…

This, I think, is what Roberto di Matteo is doing at Chelsea, and he seems to be doing a very good job of it.  I hope he gets the chance to see it through.

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My Top Ten – Air Guitar: the alt.selection (readers’ choice)

I’ve had so many fantastic responses to my air guitar classics top ten.  People just loving it, and others also offering alternative choices.  Exactly what I hoped would happen. So many that I hadn’t thought of, a few I didn’t even know about. And some that just missed out on my original selection. So today I thought, let’s do a Top Ten from all those suggestions.

So I went through all the brilliant comments and pulled out all the songs that people suggested. Way too many for a ten, but in the selection below, I’ve tried to capture the spirit of the suggestions.  If the band were in my previous selection – Metallica for example – I’ve left them out this time.  I’ve only allowed one song for any one band. And if I’m likely to do a top ten on them in the future – U2 and Prince and Bowie spring to mind – I’ve left them out of this top ten.

So after all that agonising, this is what makes the Top Ten from people who commented on my original blog.  Some of you might think it rocks harder than my original selection.  I wouldn’t deny it. There is so much to choose!

And SORRY to anyone whose choice hasn’t made it.  It’s a pretty random affair and I love them all.

So here goes….

10. Accept – Princess of the Dawn

I include this, not only because it is a good song, but because a blogger called Whatsitallaboutandotherstories did a very good top ten of her own in response to mine and this was her favourite track of all time.

9. Ozzy Osbourne – Crazy Train

Had a fair number of Ozzy suggestions. I’m not not an expert, but “Crazy Train” appealed to me most.

8. Deep Purple – Highway Star

One of the classic 70s metal bands.  This one is my favourite and was most suggested. But we can’t forget “Smoke on the Water”….

7. Judas Priest – Breaking The Law

Classic metal from the overblown genre.

6. Iron Maiden – Wasted Years

This was the most mentioned song, although my own fave is “Number of the Beast”. I’m representing the choices of the people here! Great band. West Ham fans – this is a good thing!

5. Slayer – Behind The Crooked Cross

You don’t do air guitar with Slayer, you do air sledgehammer.  This track is proof!

4. AC/DC – Riff Raff

There were a variety of AC/DC tracks put forward. “Hells Bells”, “Highway To Hell”, “It’s a Long Way To The Top…”, “Back In Black”. I chose “Riff Raff” because katkasia said that her husband was adamant that it was the best air guitar riff ever.  I loved the fact that she read my blog and then consulted her partner. Respect!

3. Van Halen – Erupt

This got a few mentions. I didn’t know it, I confess, but it is an absolute classic metal guitar work out, fingers going all over the fretboard. A wig out of a special kind.

2. Lynyrd Skynyrd – Freebird

This was a major candidate for my Top Ten.  It has one of the great slow builds and then guitar solo frenzy. Three guitarists in Skynyrd’s case, I think. A few people suggested it – I was only too happy to oblige!

1. Guns’n’Roses – Sweet Child o’ Mine

If there was a band that I should have found space for in my Top Ten, but didn’t, it was GNR. Other songs suggested in the comments included “Welcome To The Jungle” and and “Paradise City. Both brilliant, but I settled on “Sweet Child O’ Mine”. The solos soar and the rhythm rocks.  It is perfect heavy rock’n’roll.

What a selection!  And I’ve still had to leave so much out.  I’ve discovered some great new tracks, not all of which are in this ten.  Songs by Motley Crue (Kick Start My Heart) and Anthrax ( A.I.R), for example, which could so easily have been in the ten. Thanks to everyone who made suggestions. Please comment on this one too and…. do your own and share it with us!

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Sportsthoughts (20) – Two Great Games: Quins v Tigers and Barca v Real

This time of year there is so much great sport, especially as the football and rugby seasons head towards a climax. Nerves are shredding, the results are getting wackier.  Take the football. Arsenal losing at home to Wigan last Monday, Man Utd drawing 4-4 at home to Everton after being 4-2 up. Barcelona losing to Chelsea! (Maybe not so surprising). Tottenham imploding after looking like a shoo-in to the Champions League.  Newcastle transformed under Pardew from joke team to slick passing Champions League contenders. Liverpool losing at home to West Brom – revenge for Roy Hodgson, sacked by Liverpool last year.  Must be sweet.

But I want to focus on two games I saw on Saturday. Both of the highest quality. Engrossing examples of the best in sport. Punch and counterpunch. Technique and passion. Faltering and coming through. But not over yet.

First the rugby. I was at The Stoop on Saturday afternoon to see Quins take on the Leicester Tigers. Quins top of the Premiership, but Leicester gathering force as the season comes to a conclusion. With all their players back after injuries and international calls.  Quins hanging on in there, but battered and bruised after some tough, tough games. Saracens (won – just), Toulon (thrashed).

It was the best game of the season.  The atmosphere was electric, helped by the huge number of Leicester fans. Real passion on both sides. The Tigers started the game assuming they would win it in the forwards, but Quins took the first scrum. Punching the air! But Leicester won a lineout and grimly forced their way over the try line.  It felt like their superior force was going to win the day. Toby Flood looked like he had his kicking boots on. 10-3 Tigers.

Then Ugo Monye intercepted a Flood pass and hurtled down the pitch for a Quins try.  The biggest roar of the season. Ugo-Ugo!  Quins into the ascendancy. Suddenly Leicester couldn’t cope with the pace and variety, the ferociousness at the breakdown. Nick Easter bustled over for another try and it was 23-10 to Quins! Leicester flanker Tom Croft was injured badly in the process and the game stopped for about ten minutes. Think he is OK and I’m glad about that.  On the day though, it took away Quins’ momentum and Leicester clawed ten points back, against three from Quins.  First a penalty, made easier by Joe Marler – superhero thug prop – giving the ref some lip. Stupid. Ten metres forward – you don’t argue with the ref in rugby. 23-13. Then they scored a try and Flood converted. 26-23 at the break. Feeling nervous!

In the second half Leicester got another penalty – both fly halves were kicking beautifully – but the Quins broke through and scored. George Lowe, latching on to a lovely dinked kick by Nick Evans.  33-26.  Looking good! Or was it?  All the time we felt, this is Leicester, they always come back. And they did.  The game slowed a little as Quins tired and Leicester took control. When you can bring on the hairy Italian monster Martin Castrogiovanni as a replacement you have squad depth!

After ten more minutes or so I was thinking, why is the entire game is now being played in our half?  It stayed that way.  Leicester were pounding the Quins defence. It held for a while, then cracked.  Two tries for Leicester and they won 43-33.

What a game! Exhausting just writing about it. Quins played really well.  It’s just that Leicester played even better. They are an awesome team, coming to a peak just at the right time.  They are probably favourites to win the play offs now, but we can hold out hope.  Quins have had some fantastic results against the odds this season.  Toulouse away, Saracens at Wembley.  But it is going to be really tough. Probably Saracens or Northampton in the semis. Both great sides. This is what the business end of the season is all about.

After that, I managed to persuade the family that I could watch Barcelona vs Real Madrid on the telly at peak time Saturday evening.  It was El Clasico after all! A fascinating game, not with the passion that I witnessed in the two pre-season Supercopa matches in the open air on the Costa Brava, but a turning point.  Barca looked tired, their focus perhaps on Chelsea this Tuesday. They had 70% of the possession as usual, but Real looked sharper, more incisive. What I couldn’t understand was why Barca came into the game with no striker – apart from 60 goal Messi of course! But he drifts behind the main man usually. The “false nine” as they like to call it in Spain. Helps if you have a real nine too. There was no-one for the first 60-70 minutes, Messi was triple-marked and even Xavi and Iniesta seemed out of sorts.  The best chances fell to the youngster on the left wing, Tello, who snatched and blasted off target. Madrid took a first half lead and sat back.  Barca finally brought on Alexis and then Fabregas, to sharpen up the front line. They equalised. But it was short-lived relief.  Ronaldo scored with a superbly clinical jink and pass into the net.  2-1.  Final result.

A hugely symbolic victory for Real.  Since Mourinho has been in charge they have lost every game to Barca. Now they have their victory – in the Camp Nou – and are guaranteed to win La Liga.  Has the baton passed to Madrid, or is it just a blip for Barca?  Has Mourinho climbed to the top, as he always does? Will he stay there or leave for England again? But hey, let’s focus! We have Champions league semis this week.  Real are 2-1 down to Bayern Munich, Barca 1-0 down to Chelsea. We could have the ultimate fantasy El Clasico – a Champions League final – or an England v Germany tussle.  Or something in between.

I’m torn between wanting the classic confrontation and some patriotic support for Chelsea, especially as they have rather done it against the odds. I think I’m just going to sit back and enjoy the football!

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Sunset, North Ealing

On my way way home from taking Art Deco shots around the A40 in late February (see photo archive), I cycled along a path that took me alongside Ealing Golf course, before reaching Pitshanger Park.  The sun was going down and I stopped on a little wooden bridge, where the backdrop of the setting sun, with the silhouettes of the trees and the reflections in the stream looked quite beautiful. Here are a few shots – some taken with my digital camera, some with the iPhone.

Starting with the camera…

From here it’s the iPhone with the blurry zoom, for artistic effect.

Nature paints its own pictures…

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My Top Ten – Reggae Music!

The opposite end of the musical spectrum to air guitar metal and rock!  But I love it just as much. Like most kids of my generation, it was Bob Marley who first drew me into reggae – the “Live!” album of 1975, with “No Woman No Cry” as the lead single was crucial. But even more it was the affinity between punk and reggae.  My favourite punk band was the Clash and they really did have a feeling for reggae.  See my “Have You Heard – Clash Reggae” on the subject – check the sidebar.

Like all these tens, it’s almost impossible to narrow down.  I could easily do a fifty. I’ve been strict and only allowed one track per artist. Otherwise Bob Marley could swamp the whole thing.  Or Sugar Minott in his rub-a-dub style.

Hear any of this out of some massive speakers and if you don’t want to dance I’d be so surprised. The bass will probably hit you hard in the rib cage and your feet won’t be able to stop moving.

You can hear all of the following tunes on my Spotify playlist TFW510 – Reggae Music

10. Zungguzungguzungguzeng – Yellowman

Just trying to remember how to write the title makes my brain hurt!  This is just one of those pure feelgood reggae records.  It’s veering towards the dancehall sound. Yellowman is an Albino Jamaican and a bit of a lad, as the lyrics suggest…

9. MPLA Dub – Tapper Zukie

The MPLA were the freedom fighters/ terrorists (depending on your perspective) in Angola in the 70s, as the Portuguese influence was shaken off. This track has no lyrics – it’s just a mighty piece of dub, that makes you want to stride that bit harder as you walk along the street. So the MPLA connection is non-existent really.  But was a good title at the time, the late 70s.  I have this record on a wonderful collection complied by Don Letts, called “Dread Meets Punk Rockers Uptown”, a celebration of the reggae music that the punks were into. A double hit!

8. Man In The Hills – Burning Spear

Burning Spear is the sound of rural Jamaica.  Spiritual music.  “Man In The Hills” epitomises that sound.

7. Max Romeo – Chase The Devil

I remember popping into a record shop in Ealing with my kids when they were little and this song came on over the PA.  All three of them started rocking… and rolling. I think the whole shop was skanking!  The rhythm is so infectious. The Prodigy sampled this song for their early track “Out Of Space”.

6. Augustus Pablo – King Tubby Meets Rockers Uptown

There well may be a consensus amongst afficionados that this is the signature dub record. The inspiration for many others. I have a couple of dubby tracks even higher on my list, but I accept that this is the template.

5. Althia and Donna – Uptown Top Ranking

This was a number one single in the UK in 1978. It has such a wonderful rhythm, slightly off-tune musical backdrop and lyrics: See me in me ‘alterback, see me gi’ heart attack!

4. Talkin’ Blues – Bob Marley and The Wailers 

Bob Marley is one of the absolute greats.  When I do my top ten of his music I must remember to put this number one!  Or maybe I won’t because there are so many songs I love that I don’t know where to start. He, along with Michael Jackson, must be the most truly international artist. (Oh yeah, the Beatles too). Find yourself in a beach bar anywhere in the world and I’ll bet there is Bob Marley playing. This is a song from his album “Natty Dread”. Just before he hit the big time. Maybe his best?

3. Sugar Minott – Inna Dance Hall Style 

In the UK Sugar Minott would be best known for his lovers reggae hit “Good Thing Going”.  He has the sweetest soulful voice.  The Smokey Robinson of reggae. But like most reggae artists, he churned out loads of music in all sorts of styles in the Jamaican studios. In the eighties,  I bought loads of  reggae albums, hoping to find the absolute classics. One such was “Slice Of The Cake”by Sugar Minott.  It had this track on it. The most wonderful dubwise tune.  Like all great dub it’s all about the space and echo.

2. Mi God Mi King – Papa Levi

Eleven minutes, including the dub version, on a white label twelve inch single. Which I bought from Virgin records, so it wasn’t that exclusive at the time. A brilliant rolling reggae rhythm, a kind of reggae rap, which in the reggae world is more likely to be called toasting, and some dub interventions.  It has everything. For me this is one of the greatest records ever, reggae or otherwise. It has such a vibe.  I’m not sure whether the singer is actually Maxi Priest, but it could be. The voice is similar. I found a version on You Tube, which is good, but you can hear the full version on my Spotify playlist.

1. Junior Murvin – Police and Thieves

This is such a wonderful tune. Junior Murvin is another singer with the sweetest of voices. But the subject matter is dark.  The tragedy of the political conflicts in the 70s in Jamaica.  I heard the Clash version, off their “1977” album, first. That is magnificent too and it inspired me to investigate the original. So I bought a four track twelve inch single by Junior Murvin from a record shop in Oxford, where I was studying.   Four versions of this fantastic song: dub, saxophone, toasting as well as the main track.  It is so powerful, so cool.  You can dance to it and be hugely moved.  Probably my most treasured vinyl record.

I can’t believe that I’ve left out these songs…

Under Mi Sensi – Barrington Levy

Dub Fi Gwan – King Tubby

I Need A Roof – The Mighty Diamonds

Two Sevens Clash – Culture

Night Nurse – Gregory Isaacs, The Cool Ruler

Water Pumping – Johnny Osbourne

Those Tricks – Carlton Livingstone

Done with It – Michael Palmer

Back To Africa – Aswad

Wolves and Leopards – Dennis Brown

Girls Wear Yuh Size – Lt Stitchie

Well, that’s cheating because that makes it twenty-one, but really, they are all so good, and there are so many more!

And here again is the link to the Spotify playlist, which gives you these wonderful songs as I remember them. I’ve limited the No 1, “Police and Thieves” to the first track, the main song, but if anyone would like to hear the full 12 inch single let me know.

TFW510 – Reggae Music

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Thanks to Freshly Pressed!

On Friday evening, 13 April,  I received an email notification from WordPress telling me one of my blogs – my Top Ten air guitar songs – was on Freshly Pressed. I was having a beer at the time outside a pub by the River Thames in Hammersmith, West London, on my way home.

It’s funny, it’s just a small thing objectively, but I was SO excited. It’s what all us WordPress bloggers hope for, I guess. And it led to a weekend when the hits on my blog, the comments, likes and followers went through the roof compared to before.

Since I started blogging in October 2011, I’ve had a steady stream of hits and interest and I’ve been really pleased about it. There’s something mutually supportive about the network of bloggers which I find quite inspiring. But things just went to another level from Friday.  My previous best number of hits recorded was 75 –  I felt quite good about that at the time.  But it was just nowhere…

Friday 814

Saturday 1,877

Sunday 1,427

Monday 1, 441

And then today I fell off the front page and the score as I write is 152.  Hey that’s not bad! Double my best before Friday.

But it’s not only the hits.  It’s the number of people who have pressed the “like” button (132 to date) and all those people who have been good enough to comment (124, I think).  On the air guitar post I’ve had so many great comments, complimentary but – and this is the best bit – offering their alternative best tunes and recollections of air guitar, or drums, or just rocking out.   When I started my blog, my main objective – or should I say hope – was to get a bit of musical debate going.  That has happened this last weekend and I’m really so pleased about it.

I hope I can keep it going now I’m off that front page of FP, which is why I’m also very grateful to all the people who are now following me.  88 at the moment. I genuinely feel quite humble about that.

And the interest from all around the world is remarkable too.  It’s good to know there is a shared interest in the joys of air guitar and rock and metal.  I’ve always thought music is the great unifier, along with football – so important when geopolitics can so easily divide us.

Sermon over – let’s rock!

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Art Deco Ealing – and Brentford

London, like most cities, started small then grew… and grew, and grew. My part of the city, Ealing,  was a rural village until the 19th century, when the arrival of the railway station brought with it surburban development. In the Victorian era, Ealing had become the “Queen of the Surburbs”. Today it is a vibrant, multi-cultural community that feels like London, but still has space to breathe, with its parks and proximity to the River Thames and the Grand Union canal. The four great westbound roads out of London border or cut through it.  To the north, the A40, which becomes the M40, heading to Oxford and Birmingham. To the south, the A4, the original Great West Road, with the M4 hovering over it, destination Bristol and then into Wales. Through the middle runs the Uxbridge Road, connecting Uxbridge (obviously) with Shepherd’s Bush.

In the first three decades there was massive expansion of building in London and Ealing’s architecture today is still shaped strongly by that era. And the 1920s and 30s were the era of Art Deco. Naturally the developments along those main arteries, with all the commercial development, reflected the architectural trends.

I’ve always like the Art Deco style, its simple lines combined with a certain grandeur and the odd quirk, a flash of fancy detail. Those long windows which must let so much light into the inner spaces.  A style which signified art meeting the machine age.  Functional, but imaginative, challenging.

Along each of the main roads, there are survivors from the Art Deco age. Some of the buildings have seen better days, but many are still thriving.  They provide a link with an age of energy and creativity, as well as anxiety, sandwiched between the two world wars and subject to the Great Depression.  There is a defiance about Art Deco architecture, setting its face against the grimmest of times.

I can’t give Ealing all the credit for what follows in pictures.  The A4, with its “Golden Mile” of Art Deco, is actually in Brentford, to the south, bordering the Thames. It’s a little nondescript, Brentford, but coming up in the world with some of the developments around the juncture of the Thames and the Grand Union Canal. The future is bright.

I’ll start the photos in the north and work south. Double click for full size images, and if you’d like to see the whole collection, click on the Flickr link on the sidebar to the right.

The Piccadilly Line underground stations to the west of Hammersmith were constructed in the early 30s, and so, not surprisingly there is an Art Deco influence.  This is Park Royal station, next to the A40.

And some nearby shops, with a striking canopy.

Is this Vanguard building Art Deco? Not sure, but it has the quirks.

The Hoover Building on the A40 is the classic Art Deco structure. It opened in 1933 and was a vacuum cleaner factory. And stayed that way until the early 80s, when it closed. It re-opened in the 1990s, as a Tesco supermarket and offices.  I have to say though, a very fine job was done in restoring it to former glories.

Windows are everything in Art Deco.

At the back it’s very green.

A detail.

Nice front door!

Before we move to the Uxbridge Road, here are a couple of my local tube station, Northfields, again part of that 30s extension.

And the interior.  Not that I feel this way on my way into work, but it almost feels like a church in this photo. It’s the window… and those lights.

So the Uxbridge Road, first stop West Ealing.  Definitely seen better days. Pound shops dominate these days.  The Art Deco building used to house a Woolworths, when I first came to the area in the 80s.

And there is this first floor delight over the local sports shop – a proper sports shop, Arnolds.

Moving east along the Uxbridge Road, to more prosperous climes, we find Longfield House, a mixture of offices and apartments.

Someone’s got the barbecue out!

And so onto the Golden Mile! The first bit is a bit grim, all concrete, Junction 2 of the M4 nearby. But there is a residential development owned by Barratts hanging on in there. Called Wallis House, built late 30s.

Windows, windows!

The JC Decaux building was originally a Curry’s electrical goods factory, built in 1936. It’s got some classically simple lines, this one.

I like the doorway of this Carillion building. I think it’s called West Link House now. It started as a fire extinguisher factory in 1929-30.

Syon Clinic started as Coty Cosmetics in 1932.  We see a trend here in all of these buildings.  From making things to providing services: residential, offices, health.

And finally to Gillette Corner. The main Gillette building housed the European HQ of the razor company from the mid 30s .  Magnificent, but no longer in use. How can this be? Apparently there are plans to turn it into a hotel and business park. It won’t be a Tesco, because Tesco is already next door!

These first two shots are of outlying buildings. I think there is still a Nat West Bank branch there.  It’ s strange location. It’s the A4, not a high street.

See the splendour!

It’s those windows again!

And just a reminder of where we are!

I have hopes for the Gillette Building, as the experience of most of the other At Deco wonders in this collection suggests that when you have a striking building, someone will think of a use for it, even when the original purpose has receded.  Fingers crossed!

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My Top Ten – Radiohead

After the fun I’ve had with my first Top Ten on Air Guitar Classics, thanks to WordPress giving me a Freshly Pressed boost, and some great comments from readers, I wasn’t sure who to do next. I’ve settled on Radiohead because I probably listen to them more than anybody these days. I’ve been into their music ever since “The Bends”, which came out in 1995.  I remember when it did, they were compared to U2.  You wouldn’t say that now. Their music has become increasingly esoteric, but all the more interesting for it.  And in recent times they have made a few songs of quite exquisite beauty, which sound like the saddest songs in the world as well as the most beautiful.  So I find myself, in compiling this Ten, focusing on these later songs and in the process neglecting some of the earlier guitar anthems. They are all brilliant of course.  Picking ten songs from any favourite artist or band is, to some degree, arbitrary.  There may be two or three which are indisputably the favourites.  After that the choice becomes agonising. And it sure was for Radiohead. There is so  much that I love.

Anyway, on to the chart!

10. Lucky,  from OK Computer (1997)

Melancholy anthem with ironically happy theme.  Survives the air crash, etc. Builds slowly to a glorious climax. I grew to love this one partly because I worked out the chords on my guitar and love playing it. I can do a good Thom Yorke in the privacy of my bedroom!

9. Everything In Its Right Place, from Kid A (2000)

From those opening keyboard chords, this song has a mystery and a majesty. It drifts and billows and shimmers.  From Kid A, the album that marked Radiohead’s departure from rocktastic norms. And made them a truly great band.

8. Street Spirit (Fade Out), from The Bends (1995)

Achingly beautiful guitar and melody.  But like most Radiohead, when you listen properly to the lyrics, all is not what it seems.  This machine will not communicate… 

I love playing and singing this one (when there is no-one around!). Only three chords in my version: Am, Em, C. Amazing what those chords can create.

7. Karma Police, from OK Computer (1997)

That lovely acoustic guitar intro, the weird verses and then that massive chorus.  Live, it is amazing. Saw them in Hackney’s Victoria Park a few years ago. This was one of the highlights of one of the best shows I have ever seen. Heartstopping.

Favourite line: Karma Police, arrest this girl, her Hitler hairdo is making me feel ill…

6. Fake Plastic Trees, from The Bends (1995)

Wonderful melody with a hint of Bowie’s “Starman”. Brittle, flakey lyrics. Like a lot of early Radiohead, you have the acoustic bit and then it slowly builds to a lighter-waving climax. It’s a modern day hymn. Again, I love playing this one on the guitar.

5. Paranoid Android, from OK Computer (1997)

The signature tune from OK Computer, which has often been voted best album of all time in music mags.  I remember the first time I heard it on the radio.  It just blew me away. It’s Radiohead’s “Bohemian Rhapsody”, with its distinct parts, a mini symphony. And when it rocks it just blows the house down. There is a case for this being No1.

4. The National Anthem, from Kid A (2000)

What I most love about this tune is the immense bass line at the start and the complete jazz wig-out at the end. An unbelievably powerful tune.  Haunting, and in your face.

3. Give Up The Ghost, from King Of Limbs (2011)

I accept this might be the effect of recentness. Is it really my third best Radiohead tune? Will it be in five years time? Actually, it could be No1 by then. It’s one of two unbelievably beautiful tunes on King Of Limbs.  There’s an intense sadness in the sound which you could either call depressing or uplifting. I go for the latter. This song moves me in a completely spiritual way.

2. Codex, from King Of Limbs (2011)

For me, the companion to Give Up The Ghost. If anything, even sadder, with a deep piano motif to draw you in. And Thom Yorke’s voice so tender, achingly beautiful. So directly from the soul. I feel the tears welling every time I listen to this. But in a good way. The power of music…

1. Weird Fishes/ Arpeggi, from In Rainbows (2007)

To be the number one Radiohead song has to make it one of the greatest songs ever.  In my book Weird Fishes/ Arpeggi is just that. There’s a beautiful plucked guitar running through it which sounds to me like a mountain stream flowing through the forest. The purity, the glistening water, the bubbling flow.  And then Thom’s voice, again so tender, so wistful. This is musical ecstasy.

The lyrics, as ever, confuse and delight – the essential Radiohead, beauty and opacity combined.

Hear my Top Ten on Spotify  TFW510 – Radiohead

Just missed the boat: pretty much every song from The Bends and In Rainbows for a start.  The latter I rank as my favourite Radiohead album these days, even though only one track makes the Top Ten. Close calls for House of Cards and Reckoner. From The Bends, the title track, Bones, Iron Lung, Planet Telex, Black Star and High and Dry are all magnificent. The Bends is Radiohead’s great rock album. No Surprises from OK Computer and Idioteque from Kid A came close too. Pyramid Song and Packt Like Sardines In A Crushd Tin Box, from Amnesiac (2001) are cool, and Nude from In Rainbows is another song of intense beauty.  I could go on…

If you read this, I’d love to hear what you think.

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